In March, she announced that she had finished recording. In an interview that month, she said that the album process was in its final stages, with the only things left being "artwork and stuff". In January 2020, she played the mixes to her band members, whose positive responses brought Apple back on track. She also admitted to being reclusive due to ongoing recording sessions at her Venice Beach house. At this time, the artist first mentioned work on her new project in an interview with Vulture, explaining that she was still working hard on her next album which should have been released "a million years ago" and was hoping to put it out in 2020. In September, the process began to slow down, with Apple developing doubts about the album. īy July 2019, Apple had begun mixing the album. This resulted in what Apple described as "percussion orchestras", especially on "Newspaper" and the title track. On the long, unedited takes, Apple commented: "I didn't even know how to edit it and make a take shorter, so each track is just this one long take, and if I made a mistake in it, well, I better just play over it and let that mistake work itself into it". The sessions at Apple's home were largely recorded with GarageBand. They recorded long takes consisting of instruments being hit against surfaces and objects her vocals were unedited, and the album developed a highly percussive sound. Further sessions for "Newspaper" and "Heavy Balloon" took place at engineer Dave Way's private studio, Waystation. She elaborated on the house's presence in the album: "I really felt like it's an instrument in itself, it's the microphone: The house is the microphone, the house is the ambiance, the house is a member of the band". She likened her house to "the womb of where I've developed into an adult", so she chose to record the album at home to "repay" the house. Apple decided that recording should relocate to her Venice Beach home studio, where they soon returned. They returned to Los Angeles, working on the material at Stanley Recordings. Apple recalled that these sessions were often unproductive, with the band being distracted by magic mushrooms and films. In July, they began recording the album, spending three weeks at the Sonic Ranch studio in rural Texas, where they recorded most of "Relay", "Ladies", "Cosmonauts" and "On I Go". Early sessions for the album took place at Sonic Ranch in Texas. They began writing and rehearsing in Apple's Venice Beach home studio, using home-made percussive objects and chanting as they marched around the house. In February 2015, she began rehearsals for the album with band members Sebastian Steinberg, Amy Aileen Wood and Davíd Garza. In 2012, after releasing The Idler Wheel., Apple began conceptualizing a new album, considering a concept album based on her home in Venice Beach or the Pando in Utah. It also charted in the top 15 in Canada, Australia and New Zealand. The album debuted at number four on the US Billboard 200 and number one on the US Top Alternative Albums and Top Rock Albums, with 44,000 equivalent album units. The album was awarded Best Alternative Music Album at the 63rd Annual Grammy Awards, with "Shameika" winning Best Rock Performance. It received widespread acclaim from music critics, who described it as an instant classic, revolutionary, and Apple's best work to-date. It has nevertheless been referred to as Apple's most humorous album.įetch the Bolt Cutters was released during the COVID-19 pandemic, and many critics found its exploration of confinement timely. The album also discusses Apple's complex relationships with other women and other personal experiences, including bullying and sexual assault. The title, a quote from TV series The Fall, reflects this idea. The album explores freedom from oppression Apple identified its core message as: "Fetch the fucking bolt cutters and get yourself out of the situation you're in". These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures. Apple described the result as "percussion orchestras". While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Rooted in experimentation, the album largely features unconventional percussion. GarageBand was used for much of this recording, and Fiona Apple credited the album's unedited vocals and long takes to her lack of expertise with the program. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza the recording consisted of long, often improvised takes with unconventional percussive sounds. The album was recorded from 2015 to 2020, largely at Apple's home in Venice Beach. It was released on April 17, 2020, Apple's first release since The Idler Wheel. Fetch the Bolt Cutters is the fifth studio album by American singer-songwriter Fiona Apple.
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